V. · Relics · Shadows

Accidental Futures

rachel_owlglass · 6 pages

Comic

Manhattan, March. Some ghosts drive with purpose.

Night, rainy Manhattan street (Third Ave). Rachel's MG in foreground, 1938 Packard mid-distance behind her, both headlights gleaming on wet pavement. Rachel, a delicate-featured woman in her mid-20s, shoulder-length dark blonde hair pulled back with a scarf, peers in her side mirror, concern on her face. Period streetlights, rain, reflections. 1950s cars and city gloom.
That Packard again...Rachel Owlglass
Either he’s lost, or I am.Rachel Owlglass
Rachel tailed by the Packard on a rainy Manhattan avenue; question: who follows?1 / 6
Dim alley behind a lighting company, wet pavement, both cars stopped. Rachel stands by her MG, tense, facing Packard Man who steps from his car and holds out an envelope. Night, city shadows, trash bins.
Miss Owlglass?Packard Man
Depends.Rachel Owlglass
Close-up of Rachel’s hands holding the envelope, the address visible: 'RACHEL OWLGLASS, CARE OF THE AUTOMOBILE SHE LOVES MORE THAN HUMANITY.' Her expression (background) is wary, Packard Man already turning away.
Who gave you this?Rachel Owlglass
A woman. She had several names.Packard Man
Rachel confronts the Packard Man in the alley; receives mysterious envelope.2 / 6
Basement room, dim light, battered table surrounded by nine people. Rachel, still in trench coat, stands at doorway. Map of the world with colored pins on the wall; Society Woman (thin, pale, white gloves) stands at table, others (blurry, indistinct) seated.
Miss Owlglass, do you believe history moves forward?Society Woman
I believe traffic does, when supervised.Rachel Owlglass
Society Woman places small brass mechanism (between watch and insect) on the table. Rachel leans in, curious. Others lean back, wary.
Recovered from a woman who died in 1899.Society Woman
Manufactured in 1963.Society Woman
Close-up of Rachel’s annoyed face as she examines the mechanism. Society Woman’s face calm, others expressionless behind.
Why me?Rachel Owlglass
Because machines like you.Society Woman
Rachel enters Society; the strange mechanism and its impossible origin.3 / 6
Night, outside condemned building. Rachel, coat tight, stands by MG with bonnet open, peering inside in frustration. Street empty, rain falling.
Don’t do this.Rachel Owlglass
Close-up of Rachel’s hand picking up a small, warm brass gear resting atop the engine block. Steam rises gently.
What in—?Rachel Owlglass
Rachel’s MG won’t start; finds strange gear on engine; tension rises.4 / 6

For a moment, the future wore a face.

Night street, wet pavement, Rachel in foreground clutching gear, glances over her shoulder. At the distant end, under a flickering streetlamp, stands the mysterious woman: elegantly dressed, perfectly still. Lamp flickers, her face almost visible, beautiful but with unnatural reflective eyes. The lamp goes dark, leaving emptiness.
All right.Rachel Owlglass
Rachel glimpses the mysterious woman under the streetlamp; moment of unease.5 / 6
Rachel in MG, night city. She looks determined, rain blurring headlights. Times Square neon reflected on windshield. Under the dash, a tiny brass gear can be glimpsed, softly ticking.
Next time, bring a clock...Rachel Owlglass
...and maybe a mechanic.Rachel Owlglass
Aftermath: MG starts, Rachel drives away, gear ticking backward under dash.6 / 6
Chapter prose
Rachel Owlglass first noticed the Packard at 52nd Street: not the sort of car that belonged in modern Manhattan, nor the sort of driver who belonged anywhere but history’s unfinished business. He handled that ancient hulk as if he’d already rehearsed every possible collision and resigned himself to the outcome. It was March, the city’s gutters rimmed with icebergs of filth, and Rachel’s MG was running so sweetly after its latest tune-up that she felt almost invincible. But the Packard’s presence, persistent in her mirror, was a blemish. She toyed with the idea that perhaps she was tailing it, rather than the other way around. Self-deception, she decided, was a skill in high demand. At 44th she ran a yellow light. The Packard followed. By 41st her annoyance crystallized. She jerked the wheel and ducked into a narrow alley behind a lighting wholesale. The Packard followed, sighing to a halt. The man who emerged looked as if he’d been manufactured before the war, too: camel-hair coat, homburg, his lapels wide as promises, his face composed of the sort of lines that made artists despair. He held out an envelope. "Miss Owlglass?" "Depends," she said, wary. He handed her the envelope. It was addressed with a mix of precision and mischief: RACHEL OWLGLASS CARE OF THE AUTOMOBILE SHE LOVES MORE THAN HUMANITY She eyed him. "Who gave you this?" "A woman." "Name?" "She had several." That was all. He returned to the Packard and was gone, his taillights dissolving in the Harlem smog. Inside the envelope: a membership card — Society for the Prevention of Accidental Futures — and an address on West 23rd Street. The instructions: MIDNIGHT, COME ALONE, BRING NO CLOCK. She spent the afternoon trying to forget. Lunch, two martinis, an argument with Profane about whether employment was a conspiracy against bipedal dignity, and a quarter-hour absorbing Pig Bodine’s latest scheme involving surplus Navy refrigeration compressors and what he called “portable intimacy.” None of this made a dent in the sense that her evening had already been purchased. At eleven forty-five she drove to the address. The building was condemned, pressed between a furrier and a shop peddling ecclesiastical supplies. She found the basement, lit by weak bulbs and the glow of nine faces arranged around a battered table. A map of the world was pinned up, colored tacks marking its wounds: Malta, Florence, Paris, Cairo, New York. A thin woman in white gloves gestured her in. “Miss Owlglass, do you believe history moves forward?” Rachel thought. “I believe traffic does, when adequately supervised.” No one laughed. The woman set a brass mechanism on the table. It ticked softly, its gears moving without visible source. “Recovered yesterday from a woman who died in 1899. The mechanism was manufactured in 1963.” Rachel snorted. “Then I’d ask for my money back.” The woman’s smile was brief and cold. “Objects appear where they ought not. Someone — or something — is sowing the future into the past. It is always a woman, always initial V.” Rachel felt, not fear, but exasperation. She had enough trouble managing the present. “Why me?” The woman’s eyes glinted. “Because machines like you.” “That’s ridiculous.” “Yes,” the woman agreed. Not the same as false, Rachel realized. Shortly after one, Rachel climbed back into her MG. The engine refused to turn. She tried again: a solitary click. She opened the bonnet — all appeared normal, except for a brass gear perched atop the block, still radiating heat. She picked it up, frowning. Behind her, footsteps echoed faintly on the wet pavement. She turned. At the end of the street, beneath a dead streetlamp, stood a woman: elegant, motionless. The lamp flickered, and for a heartbeat the woman’s face was visible — beautiful, but the eyes reflected the light wrong, like the back of a spoon. The darkness returned. The woman was gone. Rachel, who had never fully believed in ghosts, whispered, “All right.” Her MG started on the first try. She drove north, toward the insomnia of Times Square, the brass gear ticking backward in her pocket — a souvenir from a future that refused to wait its turn.
Original idea

Rachel Owlglass first noticed the man following her because he was driving a 1938 Packard in Manhattan traffic with the serenity of someone who had already died. It was March, cold enough that the gutters along Third Avenue contained gray archipelagos of ice, cigarette filters, and substances Rachel preferred not to identify. She was driving the MG, naturally, whose recent valve adjustment had produced in her the kind of satisfaction other women supposedly obtained from engagements, pregnancies, or finding a dress at half price. The Packard appeared in her mirror at 52nd Street. At 49th it was still there. At 44th Rachel accelerated through a yellow light. The Packard followed. “Oh, you poor bastard,” she said, though whether to the Packard or its driver was unclear. She pulled abruptly into an alley behind a wholesale lighting company. The Packard entered after her and stopped. Rachel got out. The man who emerged was perhaps sixty, perhaps eighty, wearing a homburg and a camel-hair coat whose lapels belonged to some extinct taxonomy of American confidence. “Miss Owlglass?” “Depends.” He handed her an envelope. On it was written: RACHEL OWLGLASS CARE OF THE AUTOMOBILE SHE LOVES MORE THAN HUMANITY Rachel looked at him. “Who gave you this?” “A woman.” “Name?” “She had several.” He returned to the Packard and drove away. Inside the envelope was a membership card for something called the **Society for the Prevention of Accidental Futures**, together with an address on West 23rd Street and the instruction MIDNIGHT, COME ALONE, BRING NO CLOCK. Rachel spent the afternoon attempting to forget about it. This involved lunch, two martinis, an argument with Benny Profane concerning whether employment represented a conspiracy against human locomotion, and fifteen minutes listening to Pig Bodine describe a scheme involving surplus Navy refrigeration equipment and what he repeatedly called “a breakthrough in portable intimacy.” At eleven forty-five she drove downtown. The address belonged to a condemned building squeezed between a furrier and a store selling ecclesiastical supplies. In the basement she found nine people seated around a table. On the wall hung a map of the world perforated by colored pins. Malta. Florence. Paris. Cairo. New York. A thin woman wearing white gloves addressed her. “Miss Owlglass, do you believe history moves forward?” Rachel considered this. “I believe traffic does, when adequately supervised.” Nobody laughed. The woman placed an object on the table. It was a small brass mechanism, something between a watch movement and an insect. Tiny gears moved without any visible source of power. “This was recovered yesterday from the body of a woman who died in 1899.” “Then I’d ask for my money back.” “The mechanism,” said the woman, “was manufactured in 1963.” Rachel stared at it. Somewhere inside the walls, plumbing knocked three times. The Society believed there were objects appearing throughout history before they had been invented: transistor components in Victorian telegraph offices, synthetic polymers in Egyptian tombs, ball bearings embedded in Renaissance statuary. Most were associated with one woman—or women—whose identity changed but whose initial remained stubbornly V. Rachel felt suddenly annoyed. Not frightened. Annoyed. The world was already sufficiently complicated without the future leaking backward into it. “Why me?” The woman smiled. “Because machines like you.” “That’s ridiculous.” “Yes.” Which, Rachel had to admit, was not quite the same thing as saying it was false. Outside, shortly after one, she climbed into the MG and turned the ignition. Nothing. She tried again. The starter clicked. “Don’t do this.” Click. Rachel opened the bonnet. Beneath it everything appeared normal except for one object resting delicately atop the engine block. A brass gear. Still warm. She picked it up. Behind her came the faint sound of heels on pavement. Rachel turned. At the far end of the street stood a woman beneath a dead streetlamp, elegantly dressed, perfectly motionless. Then the streetlamp flickered. For perhaps half a second Rachel saw her face. Beautiful, certainly. But something about the eyes reflected the light incorrectly. The lamp went dark. The woman was gone. Rachel returned to the MG. “All right,” she whispered. The engine started immediately. She drove north toward the lights of Times Square, furious now, while beneath the dashboard something small and metallic began ticking backward.